1
00:04:27,018 --> 00:04:29,896
HELP! HELP! HELP! HELP!
2
00:04:30,062 --> 00:04:32,523
HELP! HELP! HELP!
3
00:04:32,690 --> 00:04:36,277
OH, GOD, NO!
4
00:04:43,367 --> 00:04:45,953
HELP!
5
00:04:51,918 --> 00:04:55,254
PLEASE! PLEASE! STOP! STOP!
6
00:04:59,509 --> 00:05:02,386
NO! NO!
7
00:05:04,555 --> 00:05:07,308
PLEASE! PLEASE!
8
00:05:07,475 --> 00:05:10,812
NO! NO!
9
00:05:10,978 --> 00:05:13,022
PLEASE, NO!
10
00:05:27,036 --> 00:05:29,956
NO! STOP IT! PLEASE! NO! NO! NO!
11
00:05:30,998 --> 00:05:36,170
PUT HER DOWN! PUT HER DOWN!
LET ME GO! NO! STOP IT!
12
00:05:37,713 --> 00:05:40,800
NO! NO!
COME ON!
13
00:05:41,801 --> 00:05:44,762
SHUT UP! SHUT UP!
14
00:06:09,370 --> 00:06:11,873
WHO THE FUCK ARE YOU?
15
00:06:17,753 --> 00:06:20,381
DEATH.
16
00:07:04,300 --> 00:07:06,427
PLEASE... PLEASE...
17
00:07:07,762 --> 00:07:10,598
PLEASE DON'T... DON'T DO IT, PLEASE.
18
00:07:11,849 --> 00:07:13,935
PLEASE DON'T! PLEASE!
19
00:07:40,670 --> 00:07:44,256
TRAFFIC LIGHT
HEADING INTO DOWNTOWN LOS ANGELES.
20
00:07:44,423 --> 00:07:47,301
EXPECT TEMPERATURES IN THE HIGH 803
21
00:07:47,468 --> 00:07:50,346
AND ABOUT 10 DEGREES WARMER
IN THE SAN FERNANDO VALLEY.
22
00:07:50,513 --> 00:07:53,641
YOU'RE LISTENING TO KBLA LOS ANGELES.
23
00:08:07,947 --> 00:08:10,032
WORKING HARD, HUH?
24
00:08:11,325 --> 00:08:12,660
HI, ERICA.
25
00:08:13,577 --> 00:08:16,288
IS THIS YOUR DESIGN
FOR THE NEW ART CENTER?
26
00:08:16,455 --> 00:08:19,500
IT MUST BE A REAL CHARGE.
IT IS.
27
00:08:19,667 --> 00:08:23,087
I DID SOME NEW DRAWINGS.
LET ME SEE THEM.
28
00:08:30,094 --> 00:08:34,640
YOU FEELING OK?
YEAH, SURE. WHAT DO YOU THINK?
29
00:08:40,855 --> 00:08:43,983
LOOKS PRETTY GOOD.
YEAH?
30
00:08:45,818 --> 00:08:49,030
YEAH. NOT GREAT, BUT PRETTY DAMN GOOD.
31
00:08:50,531 --> 00:08:53,576
HOLD ON A MINUTE.
32
00:08:58,497 --> 00:09:01,083
HELLO?
HOW'S IT GOING?
33
00:09:01,250 --> 00:09:03,961
EVERYTHING'S FINE. ERICA'S HERE.
34
00:09:04,128 --> 00:09:07,965
THANKS FOR WORKING WITH HER.
SHE'S A PLEASURE.
35
00:09:08,132 --> 00:09:11,427
VERY TALENTED TOO, WHICH REMINDS ME...
36
00:09:11,594 --> 00:09:14,680
YOUR ARTICLE ON BATTERED WIVES,
37
00:09:14,847 --> 00:09:16,599
GOOD STORY.
DID YOU LIKE IT?
38
00:09:16,766 --> 00:09:19,477
DID IT MAKE YOU ANGRY?
ABSOLUTELY.
39
00:09:19,643 --> 00:09:24,774
ARE YOU STILL COMING FOR DINNER?
SURE. I'LL LEAVE HERE ABOUT SIX.
40
00:09:32,573 --> 00:09:34,950
BE HOME BY 10.30.
10.30?
41
00:09:35,117 --> 00:09:40,456
11.00.
MOM! THAT'S RANDY. GOT TO GO.
42
00:09:40,623 --> 00:09:46,212
WHEN I SAY 11.00, I MEAN 11.00.
ALL RIGHT. IF I WERE YOU GUYS,
43
00:09:46,378 --> 00:09:49,340
I'D FORGET THE MOVIE AND STAY HOME.
44
00:09:49,507 --> 00:09:52,343
OH, YEAH? GET OUT OF HERE.
45
00:09:52,510 --> 00:09:54,595
BYE.
46
00:10:04,688 --> 00:10:07,650
HOW ARE YOU DOING?
GREAT.
47
00:10:55,197 --> 00:11:00,744
WHAT DO YOU THINK I AM? THE STARVATION
ARMY? YOU DON'T PAY, YOU DON'T PLAY.
48
00:11:00,911 --> 00:11:03,247
COME ON, MAN. COME ON, JOJO. COME ON.
49
00:11:03,414 --> 00:11:06,375
YOU HEARD THE MAN. TAKE A WALK.
50
00:11:17,052 --> 00:11:20,139
HEY, GUYS.
HOW ARE YOU DOING, MAN?
51
00:11:20,306 --> 00:11:24,560
LOOK AT HER. AIN'T SHE CUTE? LET'S CHAT.
I'LL BE RIGHT WITH YOU.
52
00:11:24,727 --> 00:11:29,231
WE'VE GOT BUSINESS TO DISCUSS.
WE DO? THANK YOU VERY MUCH.
53
00:11:29,398 --> 00:11:32,526
I'LL GET ERICA.
WHAT HAVE YOU GOT PLANNED?
54
00:11:35,112 --> 00:11:38,115
ERICA, I'VE GOT SOME
SPECIAL CHIPS FOR YOU.
55
00:11:38,282 --> 00:11:41,368
HEY, JUST LIKE I PROMISED.
56
00:11:45,039 --> 00:11:48,125
YOU'RE GONNA LOVE THEM.
THANKS.
57
00:11:48,292 --> 00:11:53,380
REMEMBER, THERE'S JUST ENOUGH FOR YOU,
SO DON'T TELL YOUR BOYFRIEND.
58
00:11:53,547 --> 00:11:55,132
YEAH, SURE.
59
00:11:57,176 --> 00:11:59,678
THE MOVIE STARTS AT 8.30.
60
00:11:59,845 --> 00:12:04,850
TWO-HOUR MOVIE. IT MEANS WE CAN GET
BACK BEFORE ERICA GETS HOME.
61
00:12:05,017 --> 00:12:06,018
GOOD.
62
00:12:07,311 --> 00:12:10,814
WHAT DO YOU THINK
ABOUT THAT BOY RANDY?
63
00:12:10,981 --> 00:12:14,193
WELL, HE DOES WELL IN SCHOOL.
64
00:12:14,360 --> 00:12:17,154
HE'S A NICE KID. WHY?
65
00:12:17,321 --> 00:12:21,533
I'M JUST WORRIED ABOUT ERICA.
I FEEL LIKE SHE WERE MY DAUGHTER.
66
00:12:22,326 --> 00:12:27,081
THAT'S NICE. SHE FEELS THE SAME WAY
ABOUT YOU. SHE LOVES YOU.
67
00:12:29,875 --> 00:12:34,046
SO DO I.
AND I LOVE YOU BOTH.
68
00:12:34,213 --> 00:12:37,007
WE'D BETTER GO OR WE'LL MISS THE MOVIE.
69
00:12:37,174 --> 00:12:41,220
YOU ARE NOT GETTING OUT OF IT THAT EASILY.
70
00:12:43,722 --> 00:12:46,934
WE'VE BEEN GOING OUT
FOR TWO YEARS NOW...
71
00:12:48,310 --> 00:12:50,354
AND...
72
00:12:52,273 --> 00:12:55,150
YOU WANT A COMMITMENT.
73
00:12:55,317 --> 00:13:00,322
YEAH. I WOULD LIKE THAT.
74
00:13:04,702 --> 00:13:06,787
HELLO. YES.
75
00:13:10,666 --> 00:13:12,501
OH, MY GOD!
76
00:13:13,919 --> 00:13:17,339
RANDY, WHAT'S GOING ON?
MRS. SHELDON? I'M DR. ROSENBLATT.
77
00:13:17,506 --> 00:13:20,050
WHAT HAPPENED?
SHE HAD A COCAINE OVERDOSE.
78
00:13:20,217 --> 00:13:23,387
ERICA DOESN'T USE DRUGS!
SHE DID TONIGHT.
79
00:13:23,554 --> 00:13:28,434
CODE BLUE IN ROOM SIX.
DOCTOR, SHE'S ARRESTED WITH NO PULSE.
80
00:13:28,600 --> 00:13:31,937
SHE GET NARCAN AND GLUCOSE?
FOUR AMPS. NO RESPONSE.
81
00:13:32,104 --> 00:13:36,775
YOU CAN'T COME IN. WAIT OUTSIDE.
ALICE, WE'VE GOT TO SHOCK HER.
82
00:13:36,942 --> 00:13:40,404
EVERYBODY OFF? OFF? CLEAR!
83
00:13:41,989 --> 00:13:45,868
CONTINUE CPR. COME ON, DON'T STOP.
GIVE ME 300 WATTS.
84
00:13:51,749 --> 00:13:55,377
EVERYBODY OFF! EVERYBODY OFF! CLEAR!
85
00:13:55,544 --> 00:13:59,340
CONTINUE. SHE'S STILL FIBRILLATING.
ALL RIGHT, LET'S GIVE HER LIDOCAINE.
86
00:13:59,506 --> 00:14:02,551
75MG, IV, AND SHOCK HER ONE MORE TIME.
87
00:14:02,718 --> 00:14:06,555
FIXED AND DILATED.
DON'T STOP! LET ME SEE THAT.
88
00:14:09,516 --> 00:14:13,645
WE'VE LOST HER.
89
00:14:19,985 --> 00:14:22,071
MRS. SHELDON...
90
00:14:23,947 --> 00:14:26,367
I'M REALLY SORRY.
91
00:15:18,043 --> 00:15:20,129
YOU BASTARD!
92
00:15:21,713 --> 00:15:24,341
LEAVE YOUR HANDS OFF ME! GET OUT!
93
00:15:41,942 --> 00:15:46,155
IT AIN'T MY FAULT ABOUT YOUR GIRLFRIEND.
THE STUFF WAS TOO STRONG.
94
00:15:48,490 --> 00:15:49,741
BULLSHIT!
95
00:15:51,118 --> 00:15:53,203
YOU KILLED HER!
96
00:15:57,124 --> 00:16:01,086
I DIDN'T KILL ANYONE.
NOBODY MADE HER SMOKE IT.
97
00:16:01,253 --> 00:16:03,755
LET'S SEE WHAT THE COPS HAVE TO SAY.
98
00:16:05,591 --> 00:16:07,759
WHAT IS THAT SUPPOSED TO MEAN?
99
00:16:07,926 --> 00:16:12,181
YOU FIGURE IT OUT!
YOU GAVE HER THE PACKAGE.
100
00:16:13,140 --> 00:16:17,227
I'M GOING TO THE POLICE!
I'M GOING TO TELL THEM EVERYTHING!
101
00:16:21,190 --> 00:16:26,028
READ MY LIPS! COPS! POLICEMEN!
YOU'RE GONNA DIE LIKE SHE DIED!
102
00:16:27,529 --> 00:16:30,449
KISS YOUR WHITE ASS GOODBYE, MY MAN!
103
00:16:42,419 --> 00:16:44,630
HEY!
104
00:17:08,445 --> 00:17:12,574
STAY IN YOUR CARS! STAY IN YOUR
CARS! CUT THE POWER!
105
00:17:12,741 --> 00:17:16,662
CUT THE GODDAMN POWER!
JESUS! CUT THE POWER!
106
00:17:27,047 --> 00:17:29,883
WHAT DO YOU FIGURE?
JOJO WAS A DEALER.
107
00:17:30,050 --> 00:17:32,344
HE GETS HASSLE FROM RANDY VISCOVICH,
108
00:17:32,511 --> 00:17:34,471
STABS HIM AND GETS SHOT
BY ANOTHER DEALER.
109
00:17:34,638 --> 00:17:35,472
WHY?
110
00:17:35,639 --> 00:17:38,892
THEY DON'T NEED A REASON
TO KILL EACH OTHER.
111
00:17:39,059 --> 00:17:43,814
SERGEANT REINER, THIS KID SAW THE GUY
WHO DID THE SHOOTING.
112
00:17:43,981 --> 00:17:46,817
NOT HIS FACE, BUT THE CAR.
YEAH?
113
00:17:46,984 --> 00:17:49,361
YEAH. IT WAS A TORONADO.
114
00:17:49,528 --> 00:17:51,780
A BLUE TORONADO.
DID YOU GET THE LICENSE?
115
00:17:51,947 --> 00:17:53,949
I GOT THE LAST THREE NUMBERS.
116
00:17:54,116 --> 00:17:57,327
IT WAS 226.
SURE THAT'S ALL YOU REMEMBER?
117
00:17:57,494 --> 00:17:59,538
I AIN'T A FUCKING DETECTIVE, MAN.
118
00:17:59,705 --> 00:18:01,623
YOU ARE.
COME ON.
119
00:18:02,583 --> 00:18:05,502
NICE KID.
120
00:18:05,669 --> 00:18:09,298
SO, PHIL, GO PLAY DETECTIVE.
RIGHT.
121
00:18:58,889 --> 00:19:01,183
HELLO?
MR. KERSEY?
122
00:19:01,350 --> 00:19:03,393
YES.
YOU GOT MY NOTE?
123
00:19:03,560 --> 00:19:07,272
WHO IS THIS?
I THINK WE SHOULD MEET
124
00:19:07,439 --> 00:19:10,317
TO DISCUSS SOMETHING OF MUTUAL INTEREST.
125
00:19:10,484 --> 00:19:15,364
I'M NOT GOING ANYWHERE UNTIL
I KNOW WHO THIS IS AND WHAT YOU WANT.
126
00:19:15,530 --> 00:19:20,702
IF YOU REFUSE, I'LL TELL THE POLICE
ALL I KNOW, AND I KNOW A LOT.
127
00:19:20,869 --> 00:19:23,997
DO I HAVE YOUR ATTENTION NOW? GOOD.
128
00:19:24,998 --> 00:19:29,211
IF YOU LOOK OUT YOUR WINDOW,
YOU'LL SEE A LIMOUSINE OUT FRONT.
129
00:19:39,846 --> 00:19:42,808
I'M LOOKING FORWARD TO OUR MEETING.
130
00:20:20,971 --> 00:20:23,056
MR. KERSEY.
131
00:20:24,599 --> 00:20:27,310
GOOD EVENING, MR. KERSEY.
132
00:20:27,477 --> 00:20:30,856
OR SHOULD I SAY, MR. VIGILANTE?
133
00:20:32,482 --> 00:20:37,320
LISTEN, IF THIS IS ABOUT BLACKMAIL,
YOU'RE WASTING YOUR TIME.
134
00:20:37,487 --> 00:20:43,410
THIS PLACE MUST BE WORTH MORE THAN...
THAN I CAN MAKE THE REST OF MY LIFE.
135
00:20:43,577 --> 00:20:46,997
DO YOU KNOW WHO I AM?
SHOULD I?
136
00:20:48,123 --> 00:20:52,210
DOES THE NAME NATHAN WHITE
MEAN ANYTHING TO YOU?
137
00:20:53,795 --> 00:20:56,757
YOU OWN A NEWSPAPER.
138
00:20:57,966 --> 00:21:01,595
IT'S NOT YOUR MONEY I'M AFTER, KERSEY.
139
00:21:01,762 --> 00:21:04,806
IT'S YOUR PROFESSIONAL SKILL.
140
00:21:05,849 --> 00:21:08,351
I WANT YOU TO KILL SOMEONE.
141
00:21:13,774 --> 00:21:17,819
MY WIFE DIED IN A CAR CRASH
TEN YEARS AGO.
142
00:21:17,986 --> 00:21:21,448
MY DAUGHTER LISA BECAME MY WHOLE LIFE.
143
00:21:23,033 --> 00:21:27,829
LAST YEAR, SHE STARTED COLLEGE.
THINGS WERE GOING WONDERFULLY WELL.
144
00:21:28,997 --> 00:21:31,208
THEN, SUDDENLY EVERYTHING CHANGED.
145
00:21:31,374 --> 00:21:35,462
HER GRADES WENT DOWNHILL,
SHE DROPPED OUT OF SCHOOL.
146
00:21:39,341 --> 00:21:42,385
YOU SEE, SHE STARTED USING COCAINE.
147
00:21:45,889 --> 00:21:47,974
THREE MONTHS AGO...
148
00:21:49,684 --> 00:21:51,853
SHE DIED OF...
149
00:21:56,608 --> 00:22:00,445
I KNOW ABOUT YOUR FRIEND'S DAUGHTER,
MR. KERSEY.
150
00:22:00,612 --> 00:22:05,200
I KNOW YOU SHOT THE PUSHER
WHO SOLD THE DRUGS. I ASK YOU, SIR...
151
00:22:07,244 --> 00:22:10,080
WHAT ABOUT THE PEOPLE BEHIND HIM?
152
00:22:10,664 --> 00:22:14,751
HOW MANY CHILDREN
DO WE LET THEM DESTROY
153
00:22:14,918 --> 00:22:19,756
BEFORE WE SAY, "ENOUGH",
MR. KERSEY? HOW MANY?
154
00:22:21,633 --> 00:22:27,180
I'VE SPENT A FORTUNE BUYING INFORMATION
ON THE MAJOR DEALERS IN LOS ANGELES.
155
00:22:27,347 --> 00:22:31,059
I'LL GIVE YOU MONEY, WEAPONS,
NAMES, ANYTHING YOU WANT.
156
00:22:36,064 --> 00:22:38,483
THEY'RE ALL MURDERERS, KERSEY,
157
00:22:38,650 --> 00:22:42,320
FROM THE SMALLEST STREET-CORNER
PUSHER TO THE FAT CAT AT THE TOP.
158
00:22:42,988 --> 00:22:46,116
ANYBODY CONNECTED
WITH DRUGS DESERVES TO DIE.
159
00:22:47,117 --> 00:22:49,619
THEY HAVE TO BE STOPPED, KERSEY.
160
00:22:51,913 --> 00:22:55,208
I NEED A FEW DAYS TO THINK ABOUT THIS.
161
00:23:07,762 --> 00:23:11,808
WHEN MICHAEL DIED, ERICA WAS ONLY FIVE.
162
00:23:13,894 --> 00:23:16,605
I MADE A PROMISE TO HER...
163
00:23:17,355 --> 00:23:18,815
THAT NO MATTER WHAT HAPPENED,
164
00:23:18,982 --> 00:23:23,653
SHE WOULD ALWAYS COME FIRST.
I LET HER DOWN.
165
00:23:23,820 --> 00:23:28,241
I WAS TOO INVOLVED WITH WORK
TO SEE WHAT WAS GOING ON.
166
00:23:32,913 --> 00:23:37,751
YOU HAVE TO STOP THIS. I KNOW
HOW YOU FEEL BECAUSE I'VE BEEN THERE.
167
00:23:37,918 --> 00:23:39,644
YOU THINK YOU SHOULD HAVE DONE
SOMETHING DIFFERENT
168
00:23:39,669 --> 00:23:44,132
BUT IT'S NOT YOUR FAULT
THAT ERICA DIED.
169
00:23:44,299 --> 00:23:46,760
IT'S THOSE DRUGS.
170
00:23:48,053 --> 00:23:50,263
I'M SO ANGRY!
171
00:23:52,724 --> 00:23:57,145
I FEEL SO HELPLESS.
I... I WANT TO DO SOMETHING,
172
00:23:57,312 --> 00:24:01,816
BUT I DON'T KNOW WHAT TO DO.
173
00:24:03,193 --> 00:24:06,488
YOU'RE A WRITER. WRITE ABOUT IT.
174
00:24:06,655 --> 00:24:11,159
LET PEOPLE KNOW ABOUT DRUGS.
JUST KEEP POUNDING ON IT.
175
00:24:18,959 --> 00:24:20,752
WHAT STORY DID YOU WANT TO DO?
176
00:24:21,211 --> 00:24:22,253
DRUGS.
177
00:24:22,879 --> 00:24:26,466
OH, KAREN, EVERY SINGLE...
I KNOW I'M INVOLVED.
178
00:24:26,633 --> 00:24:28,051
THAT'S WHY I HAVE TO DO IT.
179
00:24:28,218 --> 00:24:32,055
I WANT TO KNOW WHY SHE DIED
AND WHO'S RESPONSIBLE.
180
00:24:32,222 --> 00:24:37,602
NOBODY CARES. EVERYBODY USES DRUGS
NOW, NOT JUST STREET JUNKIES.
181
00:24:37,769 --> 00:24:41,356
RICH PEOPLE, MIDDLE-CLASS PEOPLE,
DOCTORS, SECRETARIES...
182
00:24:41,523 --> 00:24:44,025
IT'S THE NEW AMERICAN WAY OF LIFE, KAREN.
183
00:24:44,192 --> 00:24:48,196
THEY KNOW ABOUT IT AND THEY DON'T CARE.
184
00:24:48,363 --> 00:24:51,574
WE HAVE TO MAKE THEM CARE.
COME ON, KAREN.
185
00:24:51,741 --> 00:24:54,327
PAT, THIS IS IMPORTANT TO ME.
186
00:24:54,494 --> 00:24:57,580
ALL RIGHT, BUT LET ME KNOW
WHAT YOU'RE DOING.
187
00:24:57,747 --> 00:25:01,876
I DON'T WANT THE COPS
FINDING YOUR BODY IN AN ALLEY. OK?
188
00:25:02,043 --> 00:25:03,712
ALL RIGHT.
189
00:25:06,089 --> 00:25:09,926
YOU'RE SURE YOU WANT TO DO THIS?
YES.
190
00:25:10,093 --> 00:25:13,847
OK. I JUST HOPE YOU'VE GOT
A STRONG STOMACH.
191
00:25:14,681 --> 00:25:18,143
WHAT PAPER DID YOU SAY YOU WERE WITH?
TRIBUNE.
192
00:25:19,394 --> 00:25:20,645
YOU WANT TO SEE
193
00:25:20,812 --> 00:25:24,024
THE DRUG-RELATED ONES, RIGHT?
RIGHT.
194
00:25:25,525 --> 00:25:28,611
AH... 18-YEAR-OLD MALE.
195
00:25:28,778 --> 00:25:33,491
DIED WHEN HIS FREEBASING PIPE
EXPLODED IN HIS FACE.
196
00:25:33,658 --> 00:25:36,369
DID YOU WANT TO SEE THE BODY?
197
00:25:50,592 --> 00:25:56,181
19-YEAR-OLD MALE. ROBBED A LIQUOR STORE
TO GET MONEY TO BUY DRUGS.
198
00:26:02,771 --> 00:26:05,482
17-YEAR-OLD FEMALE.
199
00:26:07,650 --> 00:26:11,446
DIED OF A STROKE
FROM REPEATED COCAINE USE.
200
00:26:14,199 --> 00:26:15,909
13-YEAR-OLD LITTLE GIRL.
201
00:26:16,076 --> 00:26:19,370
SHE WAS SELLING HERSELF
ON THE STREET TO SUPPORT HER HABIT
202
00:26:19,537 --> 00:26:21,748
AND ONE OF HER CUSTOMERS
SLASHED HER THROAT.
203
00:26:21,915 --> 00:26:23,583
13 YEARS OLD?
204
00:26:30,006 --> 00:26:32,300
OH, GOD...
205
00:26:33,551 --> 00:26:35,637
THEY'RE ALL CHILDREN!
206
00:26:36,471 --> 00:26:40,308
YEAH, THAT LOOKS GOOD.
HERE YOU GO, MY MAN.
207
00:26:40,475 --> 00:26:46,231
YOU HAVE A GOOD TIME. ENJOY YOURSELVES.
YOU KNOW WHERE TO COME IF YOU WANT MORE.
208
00:26:46,397 --> 00:26:48,483
HELLO, HELLO.
209
00:26:50,360 --> 00:26:55,323
YEAH, HELLO, HELLO. LOOKS LIKE YOU'RE
GOING TO HAVE A PARTY TONIGHT.
210
00:26:55,490 --> 00:26:59,994
YOU CAME TO THE RIGHT PLACE. I'VE GOT
THE PRIMEST PRIME MONEY CAN BUY.
211
00:27:00,161 --> 00:27:02,997
I DON'T WANT THAT. I WANT INFORMATION.
212
00:27:03,164 --> 00:27:06,543
BRAKE TO THE LEFT!
213
00:27:07,585 --> 00:27:12,173
WHAT KIND OF INFORMATION?
WHO SELLS WHAT, WHO WORKS FOR WHO?
214
00:27:12,340 --> 00:27:16,052
WHAT DO YOU WANT IT FOR?
DOES IT MATTER?
215
00:27:16,219 --> 00:27:20,140
YOU'RE NO COP. YOU MUST BE A REPORTER.
IF YOU'RE NOT INTERESTED,
216
00:27:20,306 --> 00:27:23,434
I'LL GO SOMEPLACE ELSE.
I DIDN'T SAY I WASN'T INTERESTED.
217
00:27:23,601 --> 00:27:27,647
THE INFORMATION YOU'RE TALKING ABOUT
IS GOING TO COST MORE.
218
00:27:27,814 --> 00:27:31,693
A LOT MORE.
HOW MUCH MORE?
219
00:27:31,860 --> 00:27:35,238
THIS WILL BE THE LAST TIME
WE MEET IN MY HOME.
220
00:27:35,405 --> 00:27:38,116
WE'VE GOT TO BE EXTREMELY CAUTIOUS.
221
00:27:39,367 --> 00:27:42,245
THERE ARE TWO MAJOR DRUG ORGANIZATIONS.
222
00:27:42,412 --> 00:27:48,209
ONE IS RUN BY ED ZACHARIAS, THE OTHER
BY TWO BROTHERS, JACK AND TONY ROMERO.
223
00:27:48,376 --> 00:27:50,670
BETWEEN THEM, THEY CONTROL 90 PERCENT
224
00:27:50,837 --> 00:27:53,631
OF THE NARCOTICS TRAFFIC
IN SOUTHERN CALIFORNIA.
225
00:27:53,798 --> 00:27:58,428
ACCORDING TO MY SOURCES, THE PUSHER
YOU SHOT WORKS FOR ED ZACHARIAS.
226
00:27:58,595 --> 00:28:02,640
THIS IS EVERYTHING YOU'LL NEED
ON THE ZACHARIAS, ROMERO ORGANIZATIONS,
227
00:28:02,807 --> 00:28:05,685
PHOTOS, BIOGRAPHIES, EVERYTHING.
228
00:28:07,937 --> 00:28:11,733
A YEAR AGO, JACK AND TONY INVADED
ZACHARIAS'S TERRITORY.
229
00:28:11,900 --> 00:28:16,404
IT WAS THE BEGINNING OF A GANG WAR.
ZACHARIAS NEGOTIATED A TRUCE,
230
00:28:16,571 --> 00:28:21,451
BUT YOU CAN TAKE IT FROM ME,
THE FUSE WAS LIT. IT'S GETTING SHORTER.
231
00:28:23,953 --> 00:28:25,455
I'LL HANDLE IT MY WAY,
232
00:28:25,622 --> 00:28:28,416
NO INTERFERENCE FROM YOU.
ALL RIGHT.
233
00:28:28,583 --> 00:28:32,420
I'LL NEED A FEW THINGS.
YOU SAID YOU COULD SUPPLY WEAPONS?
234
00:28:35,965 --> 00:28:39,260
THIS IS YOUR MAN.
HE'LL GIVE YOU ALL YOU WANT.
235
00:28:46,517 --> 00:28:48,645
DETECTIVE GRUER,
CALL FOR LINE TWO.
236
00:28:48,811 --> 00:28:50,521
YOU WON'T BELIEVE THIS.
237
00:28:50,688 --> 00:28:55,985
I JUST TALKED TO FORENSICS. THEY CHECKED
THE 9MM SLUG THAT KILLED JOJO ROSS.
238
00:28:56,152 --> 00:28:59,072
I CAN NEVER DO THESE DAMN PUZZLES.
239
00:29:00,865 --> 00:29:05,203
IT MATCHES THE SLUG FROM THE MUGGER
SHOT TWO YEARS AGO.
240
00:29:05,370 --> 00:29:08,289
SO?
HE WAS KILLED BY THE VIGILANTE.
241
00:29:08,456 --> 00:29:09,874
COME ON, PHIL.
242
00:29:10,041 --> 00:29:13,169
THE VIGILANTE RETIRED YEARS AGO.
LOOKS LIKE HE'S BACK.
243
00:29:13,336 --> 00:29:17,173
IT WAS HIM IN THE TORONADO?
JUST CAME OVER THE COMPUTER.
244
00:29:17,340 --> 00:29:22,262
THERE ARE 28 BLUE TORONADOS IN THE STATE
WITH THE LAST THREE NUMBERS 226.
245
00:29:22,428 --> 00:29:26,099
NINE OF THEM ARE IN LA.
JESUS...
246
00:29:26,975 --> 00:29:31,229
THE VIGILANTE...
WELL, LET'S CHECK THEM OUT.
247
00:29:32,063 --> 00:29:35,942
SEND A COPY TO MICHAEL EDDY
AND DAVID BOSTON.
248
00:29:36,109 --> 00:29:38,778
MR. KERSEY?
YES.
249
00:29:38,945 --> 00:29:40,363
I'M SERGEANT REINER.
250
00:29:40,530 --> 00:29:43,992
THIS IS SERGEANT NOZAKI.
HOW CAN I HELP YOU?
251
00:29:44,158 --> 00:29:48,621
WE'RE TALKING TO A NUMBER OF PEOPLE
AS PART OF A ROUTINE INVESTIGATION.
252
00:29:48,788 --> 00:29:50,373
COULD YOU TELL US WHERE YOU WERE
253
00:29:50,540 --> 00:29:54,419
LAST TUESDAY EVENING
BETWEEN SEVEN AND NINE?
254
00:29:54,585 --> 00:29:58,172
TUESDAY, I LEAVE HERE ABOUT SIX.
255
00:29:59,257 --> 00:30:03,428
WITH THE TRAFFIC AND EVERYTHING,
I GET HOME ABOUT 6.45.
256
00:30:03,594 --> 00:30:07,515
SO YOU WERE HOME THAT NIGHT?
AS FAR AS I REMEMBER.
257
00:30:07,682 --> 00:30:10,226
CAN SOMEONE CONFIRM THAT?
I WAS ALONE.
258
00:30:10,393 --> 00:30:13,062
I SEE.
259
00:30:13,229 --> 00:30:15,898
DO YOU OWN A GUN?
NO.
260
00:30:16,065 --> 00:30:18,526
ARE YOU MARRIED?
NO.
261
00:30:18,693 --> 00:30:20,778
DIVORCED?
262
00:30:21,738 --> 00:30:25,908
MY WIFE AND DAUGHTER ARE DEAD.
I'M VERY SORRY.
263
00:30:26,075 --> 00:30:29,078
CAR ACCIDENT?
NO.
264
00:30:29,245 --> 00:30:32,915
WELL, THAT'S ABOUT IT.
SORRY TO HAVE BOTHERED YOU.
265
00:30:37,170 --> 00:30:38,338
SO, WHAT DO YOU THINK?
266
00:30:38,504 --> 00:30:42,300
WE'D BETTER FIND OUT MORE
ABOUT PAUL KERSEY.
267
00:30:50,308 --> 00:30:54,645
ED ZACHARIAS GREW UP IN
NEW YORK'S SOUTH BRONX SLUM TENEMENTS.
268
00:30:54,812 --> 00:30:58,358
STARTED RUNNING ERRANDS
FOR THE MOB WHEN HE WAS 12.
269
00:30:58,524 --> 00:31:01,903
GRADUATED TO NUMBERS
AND WAS RECRUITED BY THE MAFIA.
270
00:31:02,070 --> 00:31:04,822
COMMITTED HIS FIRST MURDER AT 19.
271
00:31:04,989 --> 00:31:11,037
CHARMING DELIGHTFUL FELLOW. LOVES
HIS WORK AND INDULGES HIS FANTASIES.
272
00:31:33,976 --> 00:31:35,645
ALL RIGHT!
273
00:31:36,646 --> 00:31:42,652
I SAID NO CAKE! THERE WASN'T SUPPOSED
TO BE A CAKE. YOU'RE FULL OF...
274
00:31:42,819 --> 00:31:46,406
HAPPY BIRTHDAY.
COME ON, ED, BLOW THE CANDLES OUT.
275
00:31:46,572 --> 00:31:49,283
WATCH THIS. WATCH THIS.
276
00:31:49,951 --> 00:31:53,037
LET'S SEE WHAT YOU'VE GOT LEFT.
LET'S GO, BOSS.
277
00:31:54,539 --> 00:31:58,334
COME ON!
GO, GO, GO!
278
00:32:13,057 --> 00:32:15,893
CHAMPAGNE.
WE NEED ICE.
279
00:32:16,060 --> 00:32:18,771
I'LL GET IT. THEY WANT CHAMPAGNE.
280
00:32:25,278 --> 00:32:28,781
HOW WAS THE CANDLE?
BETTER THAN THE CAKE.
281
00:32:28,948 --> 00:32:32,660
OH, SHIT. WHO INVITED THEM?
282
00:32:32,827 --> 00:32:35,413
I DID. IT'S MY PARTY, REMEMBER?
283
00:32:42,295 --> 00:32:45,965
JACK, GLAD YOU COULD MAKE IT.
STILL PLAYING BABYSITTER, HUH?
284
00:32:47,925 --> 00:32:50,428
HEY, HAPPY BIRTHDAY.
285
00:32:53,014 --> 00:32:56,726
SHOULD I CALL THE BOMB SQUAD?
THAT'S FUNNY, EDDY.
286
00:32:57,518 --> 00:33:01,689
IT'S ALEX.
FERRINO, HOLD THAT. HELLO? HELLO?
287
00:33:03,149 --> 00:33:06,235
YEAH. WHAT?
288
00:33:12,450 --> 00:33:14,243
WHERE'S VINCENT?
WENT BACK TO THE...
289
00:33:14,410 --> 00:33:16,245
BRING HIM TO THE GAME ROOM.
SURE.
290
00:33:30,551 --> 00:33:34,263
HEY, JACK, TONY, I WANT TO TALK TO YOU.
OH.
291
00:34:21,894 --> 00:34:25,940
WHAT'S THIS ALL ABOUT?
SOMEBODY KILLED ONE OF MY PUSHERS,
292
00:34:26,107 --> 00:34:29,277
A GUY NAMED JOJO ROSS.
293
00:34:29,443 --> 00:34:35,324
I WAS WONDERING IF MAYBE,
YOU KNEW SOMETHING ABOUT IT.
294
00:34:35,491 --> 00:34:38,202
WE DIDN'T TOUCH YOUR ERRAND BOY!
SHUT UP.
295
00:34:38,369 --> 00:34:40,955
HEY, JUST KNOCK IT OFF!
296
00:34:44,041 --> 00:34:48,629
I'M TELLING YOU, ED...
WE DON'T KNOW A DAMN THING ABOUT THIS.
297
00:34:50,006 --> 00:34:54,343
YOU KNOW, JACK, I'D HATE
FOR TROUBLE TO START BETWEEN US AGAIN.
298
00:34:55,511 --> 00:35:00,099
A LOT OF PEOPLE COULD GET HURT.
YOU UNDERSTAND WHAT I'M SAYING?
299
00:35:00,266 --> 00:35:04,520
ED, WE'RE NOT LOOKING FOR TROUBLE.
WE WANT TO KEEP THE PEACE.
300
00:35:04,687 --> 00:35:07,648
GOOD. VERY GOOD.
301
00:35:10,776 --> 00:35:15,573
VINCENT! HOW ARE YOU DOING, LAD?
OK.
302
00:35:15,740 --> 00:35:19,869
YOU KNOW JACK AND HIS BROTHER TONY?
HEY, TONY.
303
00:35:20,036 --> 00:35:23,831
HOW ARE YOU? HOW ABOUT A DRINK?
I'LL HAVE A SCREWDRIVER.
304
00:35:23,998 --> 00:35:27,960
HOW WAS COLOMBIA?
OH, TERRIFIC!
305
00:35:28,127 --> 00:35:32,632
THE WOMEN HAD GREAT TANS.
TITS OUT TO HERE, FLOPPING ALL OVER.
306
00:35:32,798 --> 00:35:37,803
YOU OUGHT TO GO THERE.
OH, I KNOW. ER... VINCENT...
307
00:35:37,970 --> 00:35:41,891
I TALKED TO ALEX. HE SAID YOU WERE RIGHT.
308
00:35:42,058 --> 00:35:44,560
THE SHIPMENT WAS LIGHT.
I TOLD YOU.
309
00:35:44,727 --> 00:35:48,981
I KNEW RODRIGUEZ WAS SKIMMING US.
YOU CAN'T TRUST COLOMBIANS.
310
00:35:49,148 --> 00:35:53,110
I KNOW WHAT YOU MEAN.
YOU WANT ME TO TAKE CARE OF IT?
311
00:35:53,277 --> 00:35:59,325
OH, DON'T WORRY ABOUT IT.
I'LL TAKE CARE OF THAT FUCK PERSONALLY.
312
00:36:03,496 --> 00:36:06,332
RODRIGUEZ WAS NOT SKIMMING.
313
00:36:07,208 --> 00:36:09,752
YOU WERE.
314
00:36:15,508 --> 00:36:18,969
LIKE I SAID, I DON'T LIKE TROUBLE.
315
00:36:34,485 --> 00:36:38,280
WHAT ARE YOU DOING IN HERE?
I WAS USING THE TOILET.
316
00:36:38,447 --> 00:36:40,574
STEP OUT HERE.
317
00:36:43,119 --> 00:36:46,247
WHAT'S YOUR NAME?
THE NAME IS LEO.
318
00:36:47,790 --> 00:36:51,419
WELL, LEO, YOU LOOK LIKE
A PRETTY SMART GUY.
319
00:36:51,585 --> 00:36:56,590
IF YOU KEEP YOUR MOUTH SHUT,
YOU COULD MAKE SOME MONEY.
320
00:36:56,757 --> 00:37:00,386
YEAH. RIGHT. I DON'T KNOW NOTHING.
GOOD.
321
00:37:00,553 --> 00:37:04,473
SINCE YOU'RE HERE,
WHY DON'T YOU HELP CARRY OUT THE BODY?
322
00:38:09,163 --> 00:38:13,709
ED ZACHARIAS'S ORGANIZATION
FUNCTIONS ON THE CONCEPT OF FEAR.
323
00:38:13,876 --> 00:38:17,880
HIS MAIN ENFORCERS, DANNY MORENO,
ART SANELLA AND JACK STEIN,
324
00:38:18,047 --> 00:38:21,675
WERE EXPENSIVELY RECRUITED
TO EXECUTE THIS POLICY.
325
00:38:21,842 --> 00:38:26,847
THEY ARE EFFICIENT, ALWAYS WORK TOGETHER
AND HAVE A PREFERENCE FOR ITALIAN FOOD.
326
00:38:27,014 --> 00:38:30,142
GINO.
GOOD AFTERNOON, MY FRIENDS.
327
00:38:30,309 --> 00:38:33,854
ARE WE TOO LATE?
WE'RE OPEN FOR YOU, MR. MORENO.
328
00:38:34,021 --> 00:38:37,358
MR. STEIN, MR. SANELLA.
HOW IS YOUR FAMILY?
329
00:38:37,525 --> 00:38:40,110
THEY'RE FINE, THANKS. COME THIS WAY.
330
00:39:22,152 --> 00:39:24,238
THANKS.
331
00:39:26,282 --> 00:39:29,368
HEY, WATCH THE WATER! YOU GOT IT OVER ME.
332
00:39:29,535 --> 00:39:32,454
I'M SORRY!
GET BACK IN THE KITCHEN.
333
00:39:32,621 --> 00:39:34,707
JESUS!
334
00:39:39,086 --> 00:39:42,131
HI.
AFTERNOON, SIR. WHAT CAN I DO FOR YOU?
335
00:39:42,298 --> 00:39:47,887
MY NAME IS JACK KIMBLE.
I REPRESENT SAUTELLE WINERY.
336
00:39:48,053 --> 00:39:50,764
IT'S A NEW WINERY IN NAPA VALLEY.
337
00:39:50,931 --> 00:39:55,269
I HAVE A SAMPLE OF THE FIRST PRESSING.
I THOUGHT YOU'D LIKE A TASTE.
338
00:39:55,436 --> 00:39:59,273
HAVE A GLASS HANDY?
SURE.
339
00:40:00,316 --> 00:40:01,901
YOU BEEN TO NAPA VALLEY?
340
00:40:02,067 --> 00:40:05,738
NO. I SPEND MOST OF MY TIME
ON THE BEACH.
341
00:40:05,905 --> 00:40:06,822
BEAUTIFUL COUNTRY.
342
00:40:06,989 --> 00:40:09,658
YOU OUGHT TO GO UP THERE.
I WILL.
343
00:40:10,492 --> 00:40:13,287
TELL ME WHAT YOU THINK.
344
00:40:22,796 --> 00:40:25,799
NOT BAD.
LET'S SEE WHAT YOUR CUSTOMERS SAY.
345
00:40:25,966 --> 00:40:29,428
I DON'T THINK THAT'S A GOOD IDEA.
THEY'LL LOVE IT.
346
00:40:34,224 --> 00:40:39,688
GENTLEMEN, IT'S YOUR LUCKY DAY.
A BOTTLE OF WINE ON THE HOUSE.
347
00:40:39,855 --> 00:40:43,233
DON'T I KNOW YOU?
I DON'T THINK SO.
348
00:40:45,194 --> 00:40:50,032
YEAH, I KNOW YOUR FACE.
DID YOU EVER LIVE IN SAN FRANCISCO?
349
00:40:50,199 --> 00:40:54,036
I'M FROM IDAHO.
I GOT A BROTHER IN IDAHO. WHAT CITY?
350
00:40:54,203 --> 00:40:56,664
BOISE.
BOISE.
351
00:40:56,830 --> 00:41:00,334
I NEVER FORGET A FACE.
WHAT THE HELL?
352
00:41:10,010 --> 00:41:14,473
WHAT THE FUCK IS GOING ON?
I PUT THE WORD OUT.
353
00:41:14,640 --> 00:41:16,684
AND?
NOTHING.
354
00:41:16,850 --> 00:41:17,685
BULLSHIT.
355
00:41:17,851 --> 00:41:22,898
SOMEBODY'S TRYING TO PUSH US OUT.
MAYBE IT'S THE ROMEROS.
356
00:41:23,065 --> 00:41:26,777
OH, NO, NO, NO. THEY WOULDN'T DARE.
357
00:41:26,944 --> 00:41:30,030
WHO ELSE COULD IT BE?
I DON'T KNOW.
358
00:41:30,197 --> 00:41:33,742
THAT'S WHY I PAY YOU,
TO FIND OUT WHAT'S HAPPENING.
359
00:41:33,909 --> 00:41:37,705
SO, DO YOUR JOB,
OR I'LL GET SOMEBODY ELSE.
360
00:41:51,135 --> 00:41:55,848
THE HEAD OF THE ROMERO
STREET-DEALING OPERATIONS IS MAX GREEN.
361
00:41:56,015 --> 00:42:01,645
NUMEROUS ARRESTS FOR PIMPING,
CHILD PORNOGRAPHY, DRUG DEALING, MURDER.
362
00:42:01,812 --> 00:42:03,856
NO CONVICTIONS.
363
00:42:04,023 --> 00:42:07,818
WITNESSES AGAINST MAX
HAVE A HABIT OF DISAPPEARING.
364
00:42:07,985 --> 00:42:11,572
HE IS A RESIDENT OF VEGAS,
BUT WHEN IN LA,
365
00:42:11,739 --> 00:42:16,118
HE OPERATES OUT OF A VIDEO RENTAL STORE
ON THE WEST SIDE.
366
00:42:38,307 --> 00:42:41,393
I DON'T CARE IF HIS DOG BRINGS IT.
367
00:42:41,560 --> 00:42:47,441
I WANT THAT SHIPMENT BY FRIDAY OR I'LL
CUT OFF HIS BALLS AND MAKE HIM EAT THEM.
368
00:42:47,608 --> 00:42:50,152
GOT THAT? GOOD.
369
00:42:59,453 --> 00:43:02,289
WHAT DO YOU WANT?
YOU.
370
00:43:02,456 --> 00:43:07,002
I DIDN'T DO NOTHING.
NO, YOU JUST SELL DRUGS TO CHILDREN.
371
00:43:07,169 --> 00:43:09,254
IT'S A BUSINESS. I'M A SUPPLIER.
372
00:43:09,421 --> 00:43:14,051
I DON'T MAKE KIDS USE DRUGS.
IT'S THEIR CHOICE.
373
00:43:14,218 --> 00:43:19,098
YOU DON'T DO IT, SOMEONE ELSE WILL?
THAT'S RIGHT. THAT'S EXACTLY RIGHT.
374
00:43:20,307 --> 00:43:22,935
HOW MANY?
HOW MANY WHAT?
375
00:43:23,102 --> 00:43:26,480
HOW MANY CHILDREN HAVE YOU KILLED
WITH THIS SHIT?
376
00:43:38,867 --> 00:43:40,702
SIX DEAD IN 48 HOURS.
377
00:43:40,869 --> 00:43:42,412
WE'VE GOT A GANG WAR.
378
00:43:42,579 --> 00:43:45,666
WE COULD JUST LET THEM
BLOW EACH OTHER AWAY.
379
00:43:45,833 --> 00:43:49,378
BODIES DON'T MAKE GOOD PRESS
AND THERE'S AN ELECTION COMING.
380
00:43:49,545 --> 00:43:53,257
WELL, WE COULD RUN
ONE OF THESE SUCKERS FOR OFFICE.
381
00:43:53,423 --> 00:43:55,342
THE ROMEROS LOST THREE MEN.
382
00:43:55,509 --> 00:43:57,594
MAYBE THEY'LL HIT BACK.
WHO'S THEIR BEST SHOOTER?
383
00:43:57,761 --> 00:44:00,806
FRANK BAUGGS.
OK, STAKE HIM OUT.
384
00:44:00,973 --> 00:44:02,641
MAYBE WE'LL GET LUCKY.
385
00:44:02,808 --> 00:44:06,061
WE'VE BEEN AFTER THE VIGILANTE.
WE'RE CLOSE...
386
00:44:06,228 --> 00:44:09,398
FORGET THE VIGILANTE.
THIS CASE HAS PRIORITY.
387
00:44:11,775 --> 00:44:14,695
WHO DOES ZACHARIAS THINK
HE'S PLAYING WITH?
388
00:44:14,862 --> 00:44:16,029
IT DOESN'T MAKE SENSE.
389
00:44:16,196 --> 00:44:19,366
WHY WOULD HE HIT US?
HE WANTS A WAR.
390
00:44:19,533 --> 00:44:21,034
SOMEBODY'S KILLING HIS MEN, TOO.
391
00:44:21,201 --> 00:44:23,954
I DON'T BELIEVE IT.
YOU KNOW WHAT I THINK?
392
00:44:24,121 --> 00:44:28,959
HE DID IT AND HE'S TRYING TO BLAME US.
HE'S PLAYING US FOR SUCKERS.
393
00:44:29,126 --> 00:44:31,795
HE WANTS OUR TERRITORY.
I DON'T BELIEVE THAT!
394
00:44:31,962 --> 00:44:35,591
IF THERE'S WAR,
HE LOSES AS MUCH AS WE DO.
395
00:44:35,757 --> 00:44:40,137
COME ON, WAKE UP!
ZACHARIAS IS TRYING TO JACK US UP.
396
00:44:40,304 --> 00:44:43,599
IT'S EITHER HIM OR US. I SAY WE BLAST HIM.
397
00:44:45,142 --> 00:44:49,021
THE ROMEROS' NUMBER-ONE
HIT MAN IS FRANK BAUGGS.
398
00:44:49,188 --> 00:44:53,275
ONE CONVICTION FOR ASSAULT WITH INTENT
TO KILL. SERVED EASY TIME.
399
00:44:53,442 --> 00:44:55,611
THOSE WHO KNOW HIS REPUTATION
FOR VIOLENCE
400
00:44:55,777 --> 00:44:59,198
WOULD BE SURPRISED
THAT HE IS A TRAINED BARITONE.
401
00:45:00,240 --> 00:45:02,534
HE IS AN UPWARDLY-MOBILE SUPER-ACHIEVER
402
00:45:02,701 --> 00:45:05,162
AND LIVES IN A CONDO
ON WILSHIRE BOULEVARD.
403
00:45:05,329 --> 00:45:09,625
IF YOU CAN GET TO HIS PHONES,
WE'LL HAVE OUR LEADS.
404
00:45:09,791 --> 00:45:13,962
GODDAMN IT, HURRY UP! WE'LL BE LATE!
MY ZIPPER'S STUCK.
405
00:45:14,129 --> 00:45:17,883
THAT'S 'CAUSE YOU EAT LIKE A HORSE.
DROP SOME WEIGHT.
406
00:45:18,050 --> 00:45:20,761
DROP DEAD, WHY DON'T YOU?
407
00:45:28,518 --> 00:45:32,272
FOR CHRIST'S SAKE,
COME OUT OF THERE! JESUS...
408
00:45:35,192 --> 00:45:37,653
HOW DO I LOOK?
LIKE SHIT.
409
00:45:37,819 --> 00:45:41,865
STICK IT UP YOUR KAZOO!
SHUT UP AND LET'S GO.
410
00:45:51,875 --> 00:45:56,630
WHAT'S WRONG WITH MY DRESS?
I'M TIRED OF THIS. I SAID IT WAS TACKY.
411
00:45:56,797 --> 00:45:59,967
THE ONE YOU PICKED HAD PURPLE ROSES.
412
00:46:00,133 --> 00:46:05,097
YOU LOOK LIKE A GIANT ROOSTER IN THAT ONE.
YOU WOULDN'T HAVE BEEN SO LONG.
413
00:46:05,264 --> 00:46:09,184
IT'S EASIER TO PUT ON.
THIS ONE'S EASIER TO TAKE OFF.
414
00:46:09,351 --> 00:46:14,356
WHAT ARE YOU COMPLAINING ABOUT?
I DON'T KNOW.
415
00:46:27,703 --> 00:46:31,206
SO HE PULLED THE TRIGGER
AND GUESS WHAT?
416
00:46:31,373 --> 00:46:34,376
WHAT?
THE ASSHOLE FORGOT TO LOAD IT.
417
00:46:34,543 --> 00:46:35,836
COME ON, SID!
418
00:46:36,003 --> 00:46:39,840
A MAFIA HIT MAN AND HE FORGOT
TO LOAD HIS GUN.
419
00:46:49,850 --> 00:46:52,769
HERE THEY ARE, FOLKS,
MR. AND MRS. SCUMBAG.
420
00:46:53,895 --> 00:46:57,899
WHY DO WE GOTTA GO TO THE OPERA?
'CAUSE I LIKE IT.
421
00:46:58,066 --> 00:47:02,070
AT LEAST THEY COULD SING IN ENGLISH.
HOW WOULD YOU KNOW?
422
00:47:02,237 --> 00:47:06,366
YOU CAN'T SPEAK ENGLISH.
FUCK YOU AND THE HORSE YOU RODE IN ON.
423
00:47:06,533 --> 00:47:09,161
YOU DID.
YOU CAME IN SECOND.
424
00:47:11,330 --> 00:47:14,041
DID YOU REMEMBER THE TICKETS?
425
00:47:16,251 --> 00:47:19,087
DAMN! JOEY, WAIT. I'VE GOT TO GO BACK.
426
00:47:19,254 --> 00:47:21,590
YOU'D FORGET YOUR HEAD
IF IT WASN'T SCREWED ON.
427
00:47:21,757 --> 00:47:24,009
BE RIGHT BACK.
DON'T HURRY.
428
00:47:26,511 --> 00:47:28,930
WHAT THE HELL?
429
00:49:06,153 --> 00:49:08,864
HEY, JOEY, YOU GOT A LIGHT?
430
00:49:13,702 --> 00:49:17,622
HE WAS IN SUCH A HURRY.
HE'S PROBABLY PLAYING WITH HIMSELF.
431
00:49:47,152 --> 00:49:50,739
COME ON OUT, ASSHOLE. COME ON OUT!
432
00:49:55,118 --> 00:49:59,498
WHAT THE FUCK ARE YOU DOING HERE?
I WAS MAKING A SANDWICH.
433
00:50:26,608 --> 00:50:31,404
NOW, YOU'RE GOING TO TELL ME
WHAT THE FUCK YOU'RE DOING HERE!
434
00:50:52,300 --> 00:50:54,844
HE'S SUCH A JERK.
I WISH HE'D DROP DEAD.
435
00:51:01,768 --> 00:51:03,687
CHRIST!
436
00:51:06,982 --> 00:51:11,653
HOLD IT!
LET ME GO! LET ME GO!
437
00:51:13,238 --> 00:51:14,155
WHICH APARTMENT?
438
00:51:14,322 --> 00:51:17,075
YOU'VE GOT ONE SECOND!
1201, ALL RIGHT?
439
00:51:17,242 --> 00:51:18,660
GOOD BOY.
440
00:51:18,827 --> 00:51:21,621
CHECK OUT ANYBODY SUSPICIOUS.
RIGHT.
441
00:51:21,788 --> 00:51:23,873
LET ME GO!
442
00:51:57,198 --> 00:51:59,284
IT'S TERRIBLE.
443
00:52:15,008 --> 00:52:17,677
SEE ANYBODY?
NO.
444
00:52:17,844 --> 00:52:20,764
I'LL CALL IT IN.
445
00:52:58,426 --> 00:53:01,096
ACCORDING TO MY SOURCES,
446
00:53:01,262 --> 00:53:05,350
ZACHARIAS USES AN OLD FISH CANNERY
IN SAN PEDRO
447
00:53:05,517 --> 00:53:07,602
TO PROCESS AND MOVE HIS DRUGS.
448
00:53:15,902 --> 00:53:17,946
THIS OPERATION FEEDS HIS ORGANIZATION
449
00:53:18,113 --> 00:53:22,909
AND DEPENDS ON SHIPMENTS OF RAW
COCAINE FROM SOUTH AMERICA.
450
00:53:23,076 --> 00:53:26,705
INTERRUPT THIS SUPPLY
AND WE CAN TEAR OUT HIS GUTS.
451
00:53:26,871 --> 00:53:29,082
THE LUNCH BREAK BETWEEN
11:30 AND 12:00
452
00:53:29,249 --> 00:53:33,128
IS A GOOD TIME TO MINGLE
WITH THE WORKERS.
453
00:53:33,294 --> 00:53:37,507
THE FACTORY IS IN TWO PARTS.
THE FIRST, WHICH IS A FRONT,
454
00:53:37,674 --> 00:53:42,303
DOES, IN FACT, PROCESS FISH,
MAINLY FOR THE PET-FOOD MARKET.
455
00:53:42,470 --> 00:53:45,140
IT EVEN MAKES A PROFIT FOR ZACHARIAS,
456
00:53:45,306 --> 00:53:48,935
LARGELY EMPLOYING UNSKILLED LABOR
ON DAILY HIRE BASIS,
457
00:53:49,102 --> 00:53:52,230
SO ACCESS TO THIS AREA SHOULD BE
STRAIGHTFORWARD.
458
00:53:52,397 --> 00:53:55,859
GETTING TO THE SECOND
WILL NOT BE SO EASY.
459
00:54:36,524 --> 00:54:41,988
HEY! WHERE DO YOU THINK YOU'RE GOING?
WHAT SECTION ARE YOU IN?
460
00:54:42,155 --> 00:54:45,658
ER... I DON'T KNOW. JUST HIRED.
WHAT'S YOUR NAME?
461
00:54:45,825 --> 00:54:48,411
NAME IS KIMBLE.
462
00:55:13,853 --> 00:55:16,731
YOU FINISHED, TONY?
YOU WANT OUT?
463
00:55:16,898 --> 00:55:18,983
YOU GOT IT.
464
00:55:45,134 --> 00:55:50,014
HOLD IT. YOU DON'T BELONG HERE.
I WAS TOLD TO PUT THIS IN THERE.
465
00:55:50,181 --> 00:55:52,475
YOUR LUNCH?
466
00:56:50,450 --> 00:56:52,911
HEY! YOU!
467
00:56:53,828 --> 00:56:56,164
WHAT'S GOING ON?
468
00:57:18,436 --> 00:57:20,063
GET THAT SON OF A BITCH!
469
00:57:20,229 --> 00:57:23,942
A THOUSAND BUCKS FOR THE MAN
WHO NAILS HIM!
470
00:57:24,108 --> 00:57:26,861
THAT GUY IS CRAZY!
471
00:57:28,112 --> 00:57:31,950
A THOUSAND BUCKS!
GET THAT SON OF A BITCH NOW!
472
00:59:46,834 --> 00:59:50,671
ARE YOU CRAZY? YOU'RE NOT
SUPPOSED TO COME TO THIS HOUSE.
473
00:59:50,838 --> 00:59:56,219
IT'S IMPORTANT. I THINK I KNOW
WHO'S BEEN GIVING YOU TROUBLE.
474
00:59:56,385 --> 00:59:58,971
DOES HE WORK FOR THE ROMERO-3'?
475
00:59:59,138 --> 01:00:03,684
NOT AS FAR AS I CAN TELL.
HE ALSO KILLED BAUGGS.
476
01:00:06,229 --> 01:00:09,857
THEN WHO DOES HE WORK FOR?
I DON' T KNOW.
477
01:00:10,024 --> 01:00:15,279
FIND OUT. WHEN YOU DO, YOU KILL HIM.
I DON'T DO THAT.
478
01:00:15,446 --> 01:00:18,282
YOU DO NOW.
479
01:00:30,378 --> 01:00:33,506
I'M LEAVING NOW, MR. KERSEY.
GOODNIGHT.
480
01:00:33,673 --> 01:00:36,384
GOODNIGHT. SEE YOU IN THE MORNING.
481
01:00:59,448 --> 01:01:03,494
GOOD EVENING, MR. KERSEY.
SERGEANT?
482
01:01:05,079 --> 01:01:10,585
WHAT CAN I DO FOR YOU?
I WANTED SEE HOW YOU ARE DOING,
483
01:01:10,751 --> 01:01:12,128
SINCE WE DIDN'T HAVE A CHANCE
484
01:01:12,295 --> 01:01:16,465
TO SAY HELLO THE OTHER NIGHT
AT FRANK BAUGGS PLACE.
485
01:01:23,931 --> 01:01:26,601
YOU'VE MADE A LOT OF PEOPLE UNHAPPY,
MR. KERSEY,
486
01:01:26,767 --> 01:01:30,188
ESPECIALLY ED ZACHARIAS.
487
01:01:30,354 --> 01:01:34,483
HE ASKED ME TO DELIVER
HIS MESSAGE OF DISTRESS PERSONALLY.
488
01:01:34,650 --> 01:01:39,614
YOU WORK FOR ED ZACHARIAS?
BEING A COP'S TOO DANGEROUS.
489
01:01:39,780 --> 01:01:42,950
I WANT TO RETIRE EARLY AND HE PAYS WELL.
490
01:01:44,493 --> 01:01:47,830
NOW, I DON'T HAVE TO KILL YOU.
491
01:01:49,165 --> 01:01:51,876
I JUST WANT TO KNOW
WHO YOU'RE WORKING FOR.
492
01:01:52,043 --> 01:01:55,004
I KNOW IT'S NOT THE ROMEROS.
493
01:01:55,796 --> 01:01:56,839
WHO IS IT?
494
01:01:57,006 --> 01:02:00,468
I DON'T WORK FOR ANYBODY.
THIS IS MY WORK.
495
01:02:00,635 --> 01:02:02,553
DON'T PLAY GAMES WITH ME.
496
01:02:03,429 --> 01:02:07,350
I CAN MAKE THIS SCENE REALLY PAINFUL,
497
01:02:07,516 --> 01:02:10,811
OR I CAN WALK OUT OF HERE.
498
01:02:10,978 --> 01:02:14,815
ALL I NEED IS A NAME.
I DON'T HAVE A NAME.
499
01:02:18,819 --> 01:02:22,323
I CAN BE VERY NASTY IF I WANT TO BE.
500
01:02:30,206 --> 01:02:33,209
SO CAN I.
501
01:02:52,979 --> 01:02:58,442
I'M OFF DUTY, HIGUERA, AND I'M MISSING
MY BEAUTY SLEEP, SO WHAT'S SO IMPORTANT?
502
01:02:58,609 --> 01:03:01,696
A JOGGER FOUND THE BODY
HIDDEN BY THE TRAIL.
503
01:03:01,862 --> 01:03:05,283
AWW... ANOTHER PIECE OF SHIT
IN YOUR GANG WAR?
504
01:03:06,617 --> 01:03:09,495
IT'S PHIL NOZAKI.
505
01:03:11,038 --> 01:03:13,708
PHIL?
506
01:03:13,874 --> 01:03:17,253
HOW?
LOOKS LIKE ONE SHOT THROUGH THE CHEST.
507
01:03:18,546 --> 01:03:20,589
I'M SORRY.
508
01:03:34,395 --> 01:03:38,190
SO, SOMEHOW, PHIL NOZAKI
FIGURED OUT WHO THE VIGILANTE IS?
509
01:03:38,357 --> 01:03:43,738
AND THE VIGILANTE KILLED HIM.
HOW DID HE FIND OUT?
510
01:03:43,904 --> 01:03:48,242
PHIL AND I WERE CHECKING OUT
SUSPECTS FROM THE DMV COMPUTERS.
511
01:03:48,409 --> 01:03:50,202
WHEN I WENT THROUGH PHIL'S DESK
THIS MORNING,
512
01:03:50,369 --> 01:03:55,082
I FOUND THE LIST...
WITH ONE NAME CIRCLED ON IT.
513
01:03:58,127 --> 01:04:00,421
PAUL KERSEY?
514
01:04:00,588 --> 01:04:01,839
I DID SOME CHECKING.
515
01:04:02,882 --> 01:04:07,345
THE GUY'S WIFE WAS KILLED
BY BURGLARS IN NEW YORK IN 1975.
516
01:04:08,679 --> 01:04:13,934
THEN, IN 1981, HIS DAUGHTER
WAS RAPED AND MURDERED IN LA.
517
01:04:15,936 --> 01:04:20,399
I THINK KERSEY'S OUR MAN.
I WANT A WARRANT.
518
01:04:21,275 --> 01:04:26,530
I DON'T KNOW. IT'S VERY LITTLE TO GO ON.
WE'D HAVE TROUBLE CONVINCING A JUDGE.
519
01:04:28,449 --> 01:04:31,869
DAMN IT, HIGUERA, HE KILLED PHIL NOZAKI.
520
01:04:32,036 --> 01:04:35,623
I KNOW HE DID. I WANT HIM.
521
01:04:36,791 --> 01:04:41,837
NOZAKI IS DEAD.
I LAY YOU TEN TO ONE IT WAS THE ROMEROS.
522
01:04:42,004 --> 01:04:44,048
NO, NO.
523
01:04:44,215 --> 01:04:47,426
NOZAKI SAID IT WAS SOMEBODY ELSE.
YEAH?
524
01:04:47,593 --> 01:04:50,638
WHO?
I DON'T KNOW.
525
01:04:52,223 --> 01:04:55,476
SOMEBODY'S PLAYING US OFF
AGAINST EACH OTHER.
526
01:04:56,936 --> 01:05:00,356
HELLO? LET ME TALK TO JACK. PLEASE.
527
01:05:00,523 --> 01:05:03,818
WHO IS IT?
ED ZACHARIAS.
528
01:05:07,321 --> 01:05:09,407
ZACHARIAS.
529
01:05:11,409 --> 01:05:16,997
YEAH, THIS IS JACK.
JACK, WE NEED TO TALK.
530
01:05:17,164 --> 01:05:18,666
YEAH? WHY?
531
01:05:18,833 --> 01:05:22,086
I THINK WE'RE BEING SET UP.
WE'D BETTER MEET.
532
01:05:22,253 --> 01:05:25,673
ALL RIGHT. WHERE?
HOW ABOUT ANTONIO'S?
533
01:05:25,840 --> 01:05:31,220
NO, NO. YOU'RE CRAZY. YOU OWN ANTONIO'S.
IT'S GOT TO BE A NEUTRAL TERRITORY.
534
01:05:31,971 --> 01:05:37,226
ALL RIGHT, HOW ABOUT THE OILFIELDS...
AROUND FIVE O'CLOCK?
535
01:05:37,393 --> 01:05:39,478
WE'LL BE THERE.
536
01:05:44,442 --> 01:05:46,652
HE WANTS A MEETING.
537
01:05:48,112 --> 01:05:51,615
I DON'T TRUST HIM. I THINK IT'S A SET-UP.
538
01:05:52,825 --> 01:05:54,827
WE'LL BE PREPARED.
539
01:07:10,528 --> 01:07:13,197
YOU WANTED TO TALK. TALK.
540
01:07:13,364 --> 01:07:17,618
JACK, A LOT OF THINGS HAVE HAPPENED
IN THE LAST FEW DAYS.
541
01:07:17,785 --> 01:07:22,039
A BUNCH OF MY MEN HAVE BEEN KILLED.
GET TO THE POINT.
542
01:07:22,206 --> 01:07:24,875
SOMEONE'S PLAYING US
AGAINST EACH OTHER.
543
01:07:25,042 --> 01:07:26,122
WHAT ARE YOU TALKING ABOUT?
544
01:07:26,168 --> 01:07:29,838
SOMEBODY WANTS US
TO GO AFTER EACH OTHER.
545
01:07:30,005 --> 01:07:30,923
FOR WHAT?
546
01:07:31,090 --> 01:07:34,969
DON'T LISTEN TO THAT TRASH, JACK!
I'M TALKING TO JACK!
547
01:07:35,135 --> 01:07:38,264
IT'S YOU!
YOU'RE TRYING TO SCREW US OVER!
548
01:07:38,430 --> 01:07:40,724
GODDAMN IT, JACK, CAN'T YOU SEE?
549
01:07:40,891 --> 01:07:44,061
THAT'S WHAT HE WANTS.
YOU THINK WE'RE CRAZY?
550
01:07:44,228 --> 01:07:46,564
KEEP MESSING WITH US
AND WE'LL BURY YOU!
551
01:07:46,730 --> 01:07:47,565
TONY!
552
01:07:50,484 --> 01:07:54,029
ARGH!
JACK! IT'S A SET-UP!
553
01:08:53,505 --> 01:08:55,591
NICK!
554
01:09:00,387 --> 01:09:02,431
NICK!
555
01:09:06,560 --> 01:09:08,646
NICK!
556
01:09:28,374 --> 01:09:30,459
NICK!
557
01:10:03,200 --> 01:10:06,245
NICK! NICK!
558
01:11:00,716 --> 01:11:04,845
WHO ARE YOU?
I'M THE GUY THAT SET YOU UP.
559
01:11:05,012 --> 01:11:07,097
WHY?
560
01:11:11,769 --> 01:11:14,772
I DON'T EVEN KNOW THE GIRL.
561
01:11:15,898 --> 01:11:18,025
I DO.
562
01:11:36,710 --> 01:11:39,880
WHILE YOU WERE PLAYING
HIDE-AND-SEEK WITH KERSEY,
563
01:11:40,047 --> 01:11:43,050
ZACHARIAS AND THE ROMEROS
WERE PLAYING WAR.
564
01:11:43,217 --> 01:11:47,095
COME ON, DOES ANYBODY CARE
IF THEY KILLED EACH OTHER?
565
01:11:47,262 --> 01:11:51,767
THEY SAVED THE TAXPAYER SOME MONEY.
KERSEY'S LAWYER CALLED THE CHIEF.
566
01:11:51,934 --> 01:11:56,063
HE'S THREATENING TO SUE.
HE'S TRYING TO GET US TO BACK OFF.
567
01:11:56,230 --> 01:12:01,443
I'M TELLING YOU, KERSEY'S OUR MAN.
YOU TOOK YOUR SHOT AND YOU BLEW IT.
568
01:12:01,610 --> 01:12:05,155
NOW, STAY AWAY FROM KERSEY.
THAT'S AN ORDER.
569
01:12:10,118 --> 01:12:13,747
I'VE BEEN READING ABOUT THE JOB YOU DID.
CONGRATULATIONS.
570
01:12:13,914 --> 01:12:18,418
ZACHARIAS AND THE ROMEROS
WON'T KILL KIDS WITH THEIR DRUGS ANYMORE.
571
01:12:18,585 --> 01:12:22,714
THANK GOD. THERE'S SOMETHING
I WOULD LIKE TO TALK ABOUT.
572
01:12:22,881 --> 01:12:26,593
CAN WE MEET AT THE BRENTWOOD
GOLF COURSE ABOUT EIGHT?
573
01:12:26,760 --> 01:12:29,429
I'LL BE THERE.
574
01:13:07,384 --> 01:13:10,470
WHERE'S WHITE?
I'LL TAKE YOU TO HIM.
575
01:13:10,637 --> 01:13:15,642
HE SAID HE'D MEET ME HERE.
HE HAD BUSINESS TO TAKE CARE OF.
576
01:13:37,164 --> 01:13:39,333
HEY!
577
01:13:43,921 --> 01:13:46,006
HEY!
578
01:15:02,249 --> 01:15:05,293
HOW DID YOU GET IN?
THIS IS PRIVATE PROPERTY.
579
01:15:05,460 --> 01:15:09,172
I WANT TO SEE NATHAN WHITE.
HE IS NOT AVAILABLE.
580
01:15:09,339 --> 01:15:12,092
HE IS TO ME.
581
01:15:17,556 --> 01:15:21,101
SIR, HE HAS A GUN.
WHAT'S THE MEANING OF THIS?
582
01:15:21,268 --> 01:15:26,106
I WANTED TO SEE NATHAN WHITE.
I AM NATHAN WHITE. WHO ARE YOU?
583
01:15:26,940 --> 01:15:30,902
YOU? YOU'RE NATHAN WHITE?
I OUGHT TO KNOW MY OWN NAME.
584
01:15:31,069 --> 01:15:33,030
WHO WAS THE MAN
THAT WAS HERE LAST WEEK?
585
01:15:33,196 --> 01:15:37,075
NO ONE. I'VE BEEN IN EUROPE
FOR THREE MONTHS.
586
01:16:09,649 --> 01:16:12,402
GET OUT OF THE CAR.
587
01:16:17,407 --> 01:16:22,621
WHAT DID I DO? WHY DID YOU STOP ME?
WELL, WELL, WELL...
588
01:16:25,665 --> 01:16:28,335
YOU'RE UNDER ARREST.
WHAT FOR?
589
01:16:28,502 --> 01:16:31,588
MURDER.
WHO AM I SUPPOSED TO HAVE KILLED?
590
01:16:31,755 --> 01:16:35,884
A HOMICIDE DETECTIVE DOWNTOWN
WILL EXPLAIN THAT TO YOU. LET'S GO.
591
01:16:36,051 --> 01:16:39,012
COME ON, IN THE CAR.
592
01:16:39,179 --> 01:16:41,973
IN THE CAR! BACK!
593
01:16:58,532 --> 01:17:02,661
HEY, IF YOU'RE TAKING ME DOWNTOWN,
WHY ARE WE GOING WEST?
594
01:17:02,828 --> 01:17:05,747
WHY DON'T YOU JUST SHUT UP?
595
01:17:08,959 --> 01:17:10,127
DON'T I KNOW YOU
596
01:17:10,293 --> 01:17:15,173
FROM THE SUNSET POLICE STATION?
597
01:17:15,340 --> 01:17:17,425
COULD BE.
598
01:17:19,678 --> 01:17:22,389
THAT'S WHAT I THOUGHT.
599
01:17:25,058 --> 01:17:30,897
WHAT THE...? SHOOT THE SON OF A BITCH!
OK, THAT'S ENOUGH! FREEZE RIGHT THERE!
600
01:19:22,509 --> 01:19:25,345
ARE YOU FUCKING DEAF?
I SAID EVERYTHING'S GREAT.
601
01:19:25,512 --> 01:19:29,099
WE SHOULD HAVE THE WHOLE
OPERATION SEWED UP.
602
01:19:29,266 --> 01:19:32,227
ZACHARIAS'S DEALERS ARE READY
TO WORK FOR US.
603
01:19:32,394 --> 01:19:35,146
ROMERO BOYS WON'T,
BUT WE'LL PUSH THEM IN LINE.
604
01:19:35,313 --> 01:19:37,565
WE WANT OUR FIRST SHIPMENT
IN A COUPLE OF DAYS.
605
01:19:37,732 --> 01:19:41,444
I'LL TALK TO YOU THEN. GOODBYE.
606
01:19:44,698 --> 01:19:48,785
HOW DID YOU LET KERSEY GET AWAY?
WE MADE A MISTAKE.
607
01:19:48,952 --> 01:19:53,456
MISTAKE? GO ON, GET OUT OF HERE!
GO ON! GET OUT OF HERE!
608
01:19:54,416 --> 01:19:57,961
ASSHOLE!
SOMETHING WRONG?
609
01:19:58,712 --> 01:20:01,673
YEAH. KERSEY'S STILL ALIVE.
THAT'S WHAT'S WRONG.
610
01:20:01,840 --> 01:20:04,134
SO WHAT? HE DOESN'T KNOW ANYTHING.
611
01:20:04,301 --> 01:20:08,138
HE COULD PUT THE COPS ONTO US.
YOU WORRY TOO MUCH.
612
01:20:08,888 --> 01:20:14,102
LOOK, STUPID, YOUR BOSS IS DEAD AND I'M
ALIVE BECAUSE I'M SMARTER THAN HE WAS.
613
01:20:14,269 --> 01:20:17,480
THAT'S WHY YOU CAME TO WORK FOR ME.
614
01:20:18,023 --> 01:20:20,817
AS LONG AS KERSEY'S BREATHING
HE'S DANGEROUS.
615
01:20:20,984 --> 01:20:23,236
WHAT DO YOU WANT ME TO DO?
616
01:20:26,197 --> 01:20:30,160
WE NEED AN EDGE.
SOMETHING TO MAKE KERSEY COME TO US.
617
01:20:33,997 --> 01:20:35,457
KAREN SHELDON.
618
01:20:35,623 --> 01:20:39,753
THIS IS JESSE. I'VE GOT SOME INFORMATION
YOU'LL BE INTERESTED IN.
619
01:20:39,919 --> 01:20:43,089
ABOUT THAT SHOOT-OUT
AT THE OILFIELD LAST NIGHT.
620
01:20:43,256 --> 01:20:44,132
WHAT ABOUT IT?
621
01:20:44,299 --> 01:20:49,054
WHO DO YOU THINK I AM?
THIS WILL COST YOU.
622
01:20:49,220 --> 01:20:51,931
IT BETTER BE WORTH IT.
WHERE SHOULD I MEET YOU?
623
01:20:53,475 --> 01:20:58,646
I'M IN THE PARKING LOT BEHIND YOUR OFFICE.
LOOK FOR THE RED MAZDA RX-7.
624
01:21:55,578 --> 01:21:57,664
HELLO, KERSEY.
625
01:21:59,582 --> 01:22:02,627
PUT YOUR HANDS UP.
626
01:22:02,794 --> 01:22:04,879
REAL HIGH.
627
01:22:06,381 --> 01:22:08,466
COME OVER HERE.
628
01:22:12,137 --> 01:22:14,264
TURN AROUND.
629
01:22:29,737 --> 01:22:32,824
YOU KILLED A COP, KERSEY.
630
01:22:32,991 --> 01:22:36,995
NOT JUST ANY COP, MY PARTNER.
631
01:22:37,954 --> 01:22:41,624
NOW I'M GOING TO KILL YOU.
YOUR PARTNER WAS DIRTY.
632
01:22:41,791 --> 01:22:44,586
BULLSHIT.
HE WORKED FOR ED ZACHARIAS.
633
01:22:44,752 --> 01:22:47,297
YOU'RE LYING!
634
01:22:50,592 --> 01:22:53,720
HE WAS GOING TO KILL ME.
WHY?
635
01:22:56,598 --> 01:23:01,394
HE KNEW I WAS SETTING UP ZACHARIAS
AND THE ROMEROS TO KILL EACH OTHER.
636
01:23:03,813 --> 01:23:06,065
YOU ENGINEERED THAT WHOLE THING
AT THE OILFIELD?
637
01:23:06,232 --> 01:23:09,110
YES. I'M THE VIGILANTE, REMEMBER.
638
01:23:09,277 --> 01:23:14,073
WHEN YOUR PARTNER FOUND OUT, HE TOLD
ZACHARIAS, WHO TOLD HIM TO KILL ME.
639
01:23:15,742 --> 01:23:18,536
I DON'T BELIEVE ONE WORD YOU'RE SAYING.
640
01:23:18,703 --> 01:23:23,416
PHIL NOZAKI WAS A GOOD COP.
CHECK HIS SAFETY DEPOSIT BOX.
641
01:23:23,583 --> 01:23:27,086
YOU'LL FIND A LOT OF CASH.
YOU'RE A LIAR!
642
01:23:30,757 --> 01:23:34,302
HI. THIS IS PAUL.
643
01:23:34,469 --> 01:23:36,888
LEAVE A MESSAGE
AND I'LL GET BACK TO YOU.
644
01:23:37,722 --> 01:23:42,769
HELLO, KERSEY.
A FRIEND OF YOURS WANTS TO SAY HELLO.
645
01:23:42,936 --> 01:23:44,687
PAUL?
646
01:23:44,854 --> 01:23:48,483
THEY SAY THEY WON'T HURT ME
IF YOU DO WHAT THEY SAY.
647
01:23:50,151 --> 01:23:54,781
PAUL, I'M SCARED. I'M SO SCARED!
648
01:23:54,948 --> 01:23:58,451
DO YOU WANT HER
TO END UP DEAD LIKE ERICA?
649
01:23:58,618 --> 01:24:04,499
YES, I WAS RESPONSIBLE. YOU'D BETTER
JOIN US AT THE SUNSET ROLLER RINK
650
01:24:04,666 --> 01:24:08,503
UNDERGROUND GARAGE, AREA 16.
LET ME PICK IT UP.
651
01:24:08,670 --> 01:24:09,587
DON'T YOU MOVE.
652
01:24:09,754 --> 01:24:12,840
YOU'VE GOT NICE TASTE
IN WOMEN, KERSEY.
653
01:24:13,007 --> 01:24:16,636
VERY NICE TASTE.
THE HELL WITH YOU.
654
01:24:17,428 --> 01:24:19,973
HELLO?
PUT DOWN THAT PHONE!
655
01:24:20,139 --> 01:24:22,725
HELLO?
656
01:26:42,699 --> 01:26:45,576
WHAT'S HE DOING?
NOTHING, JUST SITTING.
657
01:26:48,746 --> 01:26:50,164
FLASH.
658
01:27:07,515 --> 01:27:09,851
HERE HE COMES.
659
01:27:19,318 --> 01:27:21,404
TAKE HIM.
660
01:28:00,443 --> 01:28:03,488
HE'S NOT HERE. IT'S EMPTY.
661
01:28:16,042 --> 01:28:19,587
HOLY SHIT...
FUCK THIS MESS!
662
01:28:20,129 --> 01:28:22,965
YOU FUCKING BLACK FAG!
663
01:28:37,814 --> 01:28:40,650
JESUS CHRIST!
664
01:29:31,075 --> 01:29:34,453
ALERT EVERYONE. WHERE'S THE GIRL?
IN THE POWER ROOM.
665
01:29:34,620 --> 01:29:37,957
COVER THE GARAGE EXIT.
KEY. COVER THE FIRE EXIT.
666
01:29:53,014 --> 01:29:57,310
BE ON THE ALERT FOR KERSEY.
BE ON THE ALERT FOR KERSEY.
667
01:29:57,476 --> 01:30:02,398
HE JUMPED US. COVER THE GARAGE EXIT.
I'M HEADING THERE NOW.
668
01:30:47,151 --> 01:30:51,614
LEAVE THE BUILDING IMMEDIATELY.
DO NOT JAM THE FIRE EXITS.
669
01:30:54,575 --> 01:30:57,161
WHAT THE HELL IS THIS?
670
01:31:02,208 --> 01:31:04,377
LET ME OUTTA HERE!
671
01:31:21,978 --> 01:31:25,606
WE'RE GOING OUT THE BACK.
NOT ONE WORD FROM YOU.
672
01:31:25,773 --> 01:31:29,819
AFTER I WASTE KERSEY,
MAYBE I'LL LET YOU GO. LET'S GO.
673
01:31:32,488 --> 01:31:35,408
OUT OF MY WAY!
674
01:32:10,109 --> 01:32:16,073
GET OUT OF THE WAY! GET OUT OF THE WAY!
GET OUT OF THE WAY!
675
01:32:38,929 --> 01:32:41,015
KERSEY!
676
01:32:42,099 --> 01:32:45,227
I KNOW YOU'RE THERE!
677
01:32:52,026 --> 01:32:55,571
I'M WARNING YOU! KEEP AWAY!
678
01:32:55,738 --> 01:32:58,449
DO YOU HEAR ME?
679
01:33:00,826 --> 01:33:05,372
BACK UP! I'LL KILL HER! I SAID STAY BACK!
680
01:33:06,916 --> 01:33:10,669
I'LL BLOW HER BRAINS OUT!
681
01:33:10,836 --> 01:33:16,300
I SWEAR TO GOD! I'LL KILL THIS BITCH!
DO YOU HEAR ME?
682
01:33:22,556 --> 01:33:25,351
YOU WORK FOR ME!
683
01:33:25,518 --> 01:33:28,562
I GAVE YOU ALL THAT INFORMATION!
684
01:33:28,729 --> 01:33:30,815
WE'RE PARTNERS!
685
01:33:34,026 --> 01:33:36,445
NO!
686
01:34:17,862 --> 01:34:21,991
COME ON, YOU!
COME ON, YOU GODDAMN BITCH!
687
01:34:22,158 --> 01:34:24,451
PLEASE...
COME ON! COME ON!
688
01:34:24,618 --> 01:34:27,496
PLEASE! I'M BEGGING YOU!
689
01:34:29,373 --> 01:34:32,376
COME ON, BITCH, STOP!
690
01:34:54,023 --> 01:34:56,275
I TOLD YOU.
691
01:34:56,442 --> 01:35:00,070
I WARNED YOU I'D KILL HER!
692
01:35:02,823 --> 01:35:05,451
I WARNED YOU I'D KILL...
693
01:35:25,804 --> 01:35:29,308
HOLD IT, KERSEY. PUT DOWN THE GUN.
694
01:35:39,652 --> 01:35:41,737
STOP RIGHT THERE!
695
01:35:43,739 --> 01:35:46,992
GODDAMN IT, I'LL SHOOT!
696
01:35:47,159 --> 01:35:50,079
DO WHATEVER YOU HAVE TO.